Professor Emeritus Faith Ringgold: Contemporary: 1960s: Freedom and Conflict-Art Gallery of Ontario, Toronto, Canada Nov14-30'09

Announcement | Faculty Show


Professor Emeritus Faith Ringgold

Contemporary: 1960s: Freedom and Conflict

November 14, 2008 – November 30, 2009

Art Gallery of Ontario Musée des beaux-arts de l’Ontario, 317 Dundas Street West Toronto Ontario Canada M5T 1G4

n the 1960s many people of the western world rejected conservative norms. Filled with hope for the future, they questioned governments, demanded civil rights and embraced sexual freedoms. What started in small youth and activist groups became a widespread movement for change. There was also a radical shift in art-making. Instead of just painting and sculpture, artists experimented with everyday objects, pop culture references, film and performance as they sought new freedoms of expression.

Professor Emeritus Manny Farber: Four Decades of Painting and Drawing - Gotthelf Art Gallery - 12.14.'09-2.24.10, La Jolla CA

Announcement | Faculty Show


Presented with Quint Contemporary Art

Manny Farber: Four Decades of Painting and Drawing

Exhibition runs December 14, 2009 through February 24, 2010

Gotthelf Art Gallery, 4126 Executive Drive, La Jolla, CA 92037

This exhibition includes a small, concise group of works painted between 1974 and 2008 by the late San Diego based artist Manny Farber. This show presents prime examples of Mr. Farber’s wonderfully vibrant artwork and spans the artist’s most active and prolific years before his death in 2008 at the age of 91.

Hours: Sunday-Friday 9am-5pm

Ricardo Dominguez/B Stalbaum/M Cárdenas/E Mehrmand/C Head: 'Follow the GPS, Ése' - An Interview by Alex Dunbar for VICE Magazi

Review


Ricardo Dominguez, Brett Stalbaum, Micha Cárdenas, Elle Mehrmand, Chris Head

IN THE MAGAZINE

FOLLOW THE GPS, ÉSE
The Transborder Immigrant Tool Helps Mexicans Cross Over Safely
(http://www.viceland.com/int/v16n11/htdocs/follow-the-gps-225.php)

Interview by Alex Dunbar for VICE Magazine

Over the past two decades, Ricardo Dominguez has been utilizing electronics and the internet to piss off just about every high-level administrative authority in the US. In the late 90s, his performance-art-cum-activist organization the Electronic Disturbance Theater (EDT) set up a participatory website-jamming network called the FloodNet system, which allowed anyone with an internet connection to gum up the official sites of the US Border Patrol, White House, G8, Mexican embassy, and others, rendering them inaccessible. The Department of Justice retaliated with an electronic attack on the EDT that aimed to destabilize the group and interrupt their online meddling. As any conspiracy wonk can tell you, it’s illegal for the government to use military force against civilians without declaring martial law; that’s the job of cops and FBI agents.

Dominguez, a Zapatista sympathizer and close friend of Subcomandante Marcos, claims the various forms of online mischief conducted by the EDT were experiments in electronic civil disobedience rather than true acts of sabotage. Their work led to massive virtual and physical sit-ins protesting the Mexican government between ’98 and ’99, attracting more than 100,000 participants. But his current project—the Transborder Immigrant Tool—is poised to enrage a much broader spectrum of the North American populace. By augmenting a low-cost Motorola phone with GPS and a battery of applications, Dominguez’s goal is to help illegal immigrants complete safe border crossings without being sent back by the Border Patrol or getting shot in the face by American “patriots.”

The primary goal of the Transborder Immigrant Tool is to increase safety during border crossing by directing heavy-footed immigrants to safe routes, shelter, food, water, and friendly sympathizers. With the recent surge in militia membership and the Obama administration’s announcement that they will be reducing the number of Border Patrol agents next year, it looks like we’re getting ready to witness a showdown for the ages. And Dominguez couldn’t be happier about the level of shit he is about to seriously disturb.

Undergraduate Alum Daryl Smith: The sculptor behind Jimi - Review by Katie McCourt-Basham for the Seattle Univ Spectator-111109

Alumni_Review | Review

Undergraduate Alum Daryl Smith

The sculptor behind Jimi
(http://www.su-spectator.com/entertainment/the-sculptor-behind-jimi-1.895760)

By Katie McCourt-Basham for the Seattle University Spectator, November 11, 2009

The Jimi Hendrix statue on Broadway Avenue and East Pine Street is usually a sign of good things to come. These things may be wonderful records at Everyday Music, a delicious Thai meal farther up Broadway or one’s proximity to campus—which usually leads to either a toasty classroom or a warm dorm room.

Ruben Ortiz Torres: Mid-career artists find a place to be seen and heard - Review by Roberta Fallon - Philadelphia Weekly-111009

Review


Ruben Ortiz Torres

Mid-career artists find a place to be seen and heard.

By Roberta Fallon for Philadelphia Weekly, November 10, 2009

"...Three artists make work focused on ethnic identity, and of those, Ruben 
Ortiz-Torres’s video performance of Hi ’n’ Lo (2008) is the most unexpected and pleasing. Ortiz-Torres tricked out a standard-issue industrial scissors lift with bling at the bottom and new platform capabilities at the top and then choreographed the machine to do hip-hop dance moves. Drawing inspiration from the Mexican-American car culture in Los Angeles as well as the caliber of infrastructure jobs that employ Latino workers, the piece is wry and knowing..." 


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For complete story, please visit the Philadelphia Weekly website at:
http://www.philadelphiaweekly.com/arts-and-culture/art/Village-Voices.html

Alum Julia Westerbeke: Art Walk Preview Review -November 2009

Review

Alum Julia Westerbeke

Art Walk Preview Review
(http://blogdowntown.com/2009/11/4834-art-walk-preview-november-2009)

November 2009

Alien Organic: Thursday is one of the last days to see this installation of sculptures and site-specific works by Julia Westerbeke. It's the first Los Angeles solo show for the recent University of California, San Diego, MFA grad. The statement goes on to say "In her obsessively detailed works, Julia Westerbeke creates terrains that are by turns organic and curiously alien, quiet yet chock-a-block with information. These abstract sculptures covered in crops of cilia-like drawings invite associations that run the gamut from microbes and scientific diagrams to Dr. Seussian flora and fantastical illustrations." The homage to natural forms is offered as a "specific visual vocabulary that has been influenced by cultures of fantasy and science fiction." I think San Fransisco Museum of Modern Art contributor Michelle Tea liked it. Open for Downtown Art Walk. Closes November 12th. compactspace / 105 E. 6th

Dallas Art News: Recent Work by Jennifer Pastor at Museum of Fine Art, Houston - Nov 12 '09

Review

Recent Work by Jennifer Pastor at Museum of Fine Art, Houston
(http://www.dallasartnews.com/2009/11/recent-work-by-jennifer-pastor-at-museum-of-fine-art-houston/)

November 12, 2009

Dead Landscape
Museum of Fine Art, Houston
Opens December 11, 2009


The Glassell School of Art’s Core Exhibition Program presents the most recent body of work by Los Angeles-based artist Jennifer Pastor. Opening on December 11 with a lecture and reception, the exhibition Dead Landscape is an installation of some 40 drawings and photographs that juxtaposes archival materials from wars involving the U.S. with Pastor’s drawings and photographs of culturally sanctioned, organized fights (from cage fighting and gladiator events to the Ultimate Fighting Heavy Weight Championship). Exhibited at Greengrassi in London earlier this year, the Houston showing will be the first presentation of Dead Landscape in the United States. An additional element to the exhibition—a large-scale sculpture titled Endless Arena and inspired by the same line of inquiry as the Dead Landscape installation—will be shown later this year across the street from the Glassell School, in the MFAH’s Caroline Wiess Law Building.

Cardenas/Zuniga/Kester/Dominguez/Trigilio: 'I HAVE NOTHING TO SAY' - Digimag 49, November 2009

Review


Alum/Lecturer Micha Cárdenas, Alum Felipe Zuñiga, Visual Arts Chair Grant Kester, Ricardo Dominguez, Michael Trigilio, and Bill Kelley Jr.

I HAVE NOTHING TO SAY
(http://www.digicult.it/digimag/article.asp?id=1625)

For PDF in English please click here: http://bang.calit2.net/tts/i-have-nothing-to-say.pdf

by Micha Cárdenas and Felipe Zuñiga for Digimag 49, November 2009

How do we deal with broken promises? How can artists work to enhance agency among participant audiences who are anonymous, migratory and in transition? Can the museum become a space for Habermasian democratic dialogue under a state of exception? These are some of the questions that guided the project Emergencia – Agencia Emergente // Emergency – Emergent Agency by the Lui Velazquez collective, which was part of the Proyecto Cívico: Diálogos e Interrogantes (PCDI) public programming developed by Bill Kelly Jr. as part of the Proyecto Civico show curated by Lucia Sanroman and Ruth Estevez, at the Centro Cultural de Tijuana (CECUT) in the fall of 2008.

Micha Cárdenas and Elle Mehrmand: 'Artivistic: TURN*ON' - A Review by Gabriel Menotti for furtherfield.org, 10.30.09

Review


Elle Mehrmand, and Alum/Lecturer Micha Cárdenas

Artivistic: TURN*ON
http://www.furtherfield.org/displayreview.php?review_id=363

By Gabriel Menotti for furtherfield.org, October 30, 2009

Eventually, the investigation about systems of representation - be they semiotic, informational or political - might slip into the one psychoanalysis considers the most elementary and surreptitious of them all: sex. That's precisely where the Artivistic gathering got into in its fourth edition, which happened in Montreal from 15th to 17th October. To be exact, the theme under which the event tied the fields of art, politics and academia together was TURN*ON - according to its curatorial statement, 'a fragile bridge extending, over a valley of which the depth you cannot see, to a life centered on pleasure, consciousness, togetherness, understanding, and joy'.

Teddy Cruz: 'Globalization is shaping urban development' - A Review for the Budapest Business Journal, 102909

Review

Teddy Cruz

Globalization is shaping urban development
(http://bbjonline.hu/index.php?col=1005&cat=&id=50620)

For the Budapest Business Journal on October 29th, 2009

“Space” is defined and shaped by social forces. A project at the Vienna University of Technology is presently investigating how current changes in these forces are impacting on urban development artists, architects and scientists are due to meet this weekend at an interdisciplinary symposium to discuss the initial results in Vienna, Austria.