Review
Alum & Lecturer Micha Cardenas will present the Transborder Immigrant Tool at the Mobile HCI Conference in Bonn, Germany 091509
Submitted by yolietorres on Tue, 09/15/2009 - 6:57am. ReviewRicardo Dominguez, Brett Stalbaum, Micha Cardenas
Mobile HCI Community Practices and Locative Media Workshop
http://life.calit2.net/archives/2009/09/mobile-hci-community-practices.php
By Micha Cardenas for Calit2 Life
b.a.n.g. lab researcher Micha Cardenas will be presenting at the Mobile HCI conference in Bonn, Germany tomorrow morning at the Community Practices and Locative Media Workshop. She will be presenting a paper on the Transborder Immigrant Tool. The pdf of that paper is here, and it was co-written by Cardenas, Ricardo Dominguez, Amy Sara Carroll and Brett Stalbaum of the Electronic Disturbance Theater.
Big Local Collector Turnout Secures A Positive First Year for the Beyond the Border International Contemporary Art Fair - 091209
Submitted by yolietorres on Mon, 09/14/2009 - 7:37am. ReviewBig Local Collector Turnout Secures A Positive First Year for the Beyond the Border International Contemporary Art Fair
(http://www.live-pr.com/en/big-local-collector-turnout-secures-a-r1048318532.htm)
By Raja Franklin for LIVE-PR
12.09.2009 10:01:10 Despite the difficult economy the inaugural year of the Beyond the Border International Contemporary Art Fair, San Diego was a great success across every dimension.
(live-PR.com) - San Diego, CA, September 12, 2009 -- Despite the difficult economy the inaugural year of the Beyond the Border International Contemporary Art Fair, San Diego was a great success across every dimension. The sheer turnout of the Opening Night, which reached a maximum capacity of over 1000 people at The Grand Del Mar, lifted the spirits of everyone and displayed incredible support for this type of event from San Diego collectors and art enthusiasts. “Our team could not have felt more proud opening night to see the large turnout and support from our local community” said Ann Berchtold, Executive Director.
Professor Emeritus Manny Farber: 'Manny Farber, TV Critic?' - A Review by Ken Tucker for EW.com on Sep 6 '09
Submitted by yolietorres on Tue, 09/08/2009 - 7:35am. Review
Professor Emeritus Manny Farber
Manny Farber, TV Critic?
(http://watching-tv.ew.com/2009/09/06/manny-farber-farber-on-film-robert-polito/)
By Ken Tucker for Entertainment Weekly on September 6, 2009
One of the treasure-troves of the fall is about to be unearthed: Farber On Film: The Complete Film Writings of Manny Farber (The Library of America), edited by the poet Robert Polito. For any movie fan who’s carried around and memorized chunks of the only previous, relatively-slim collection of Farber reviews, the eruptive Negative Space, this new volume — 880-plus pages of Manny-festations to be published Oct. 1 — is a dream come true.
So why am I writing about a movie book on a TV blog? Because one element that crops up here and there in Farber on Film is something previously unknown to me: that Farber occasionally reviewed television shows and made some typically original, provocative statements about what we used to call the small screen.
Writing in 1959, Farber asserted, “In its early period, TV hit roads which few in pop-comedy thought to travel… For the first time, large audiences saw a muderously dry infantry life (Sgt. Bilko), a morbid, bickering slum series (The Honeymooners), and a driveling Mr. and Mrs. (I Love Lucy), all of which were funnier in their depiction of the mirthlessness of daily existence than for their expected comic embroidery.”
What Polito describes in his marvelous introduction as Farber’s “fierce, serpentine essays that shun movie-criticism commonplaces like character psychology, story synopsis, and social lessons” was also true of his occasional TV pieces.
M Farber/P Patterson/K MacConnel/J Lowe/J Johnson: It starts with a good eye - Review by Robert Pincus - SD Union-Tribune-9/3/09
Submitted by yolietorres on Fri, 09/04/2009 - 2:15pm. ReviewProfessor Emeritus Many Farber, Patricia Patterson, Kim MacConnel, Jean Lowe, Jay Johnson
It starts with a good eye
Mark Quint's 30-year gallery history is richly dotted with highlights
(http://www3.signonsandiego.com/stories/2009/sep/03/quint-three-decades-contemporary-art/?features&zIndex=159557)
By Robert Pincus, Union-Tribune Staff Writer, for the San Diego Union-Tribune on September 3, 2009
Quint Contemporary Art has had several addresses in the past 30 years, but wherever it has been — downtown, Mission Hills, the Miramar area or La Jolla — the gallery has been a space you just had to visit. My history of seeing shows there spans 24 years; and from the first, I sensed that Mark Quint was the real thing, with his enormous passion for art and artists.
Prof Emeritus M Farber, JP Gorin, Alum M Govan: The Long, Hot Summer of LA Film-Review by Scott Foundas-LA Weekly-Sept 2 '09
Submitted by yolietorres on Fri, 09/04/2009 - 12:59pm. Review
Professor Emeritus Manny Farber, Jean-Pierre Gorin, and Alum Michael Govan
The Long, Hot Summer of L.A. Film
L.A., world movie capital, may indeed suffer from having too much of a good thing
(http://www.laweekly.com/2009-09-03/film-tv/the-long-hot-summer/)
By Scott Foundas for the L.A. Weekly on September 2, 2009
As wildfires scorched Southern California and Angelenos choked on the ocher air, so too did Los Angeles film culture find itself gasping for breath. First, the Los Angeles County Museum of Art decided to suspend its long-running weekend film series. Next came word that the Mann Theatres chain would be vacating its leases on the historic Village and Bruin theaters in Westwood and was also looking for a buyer for the iconic Grauman’s Chinese in Hollywood. Then the Los Angeles Film Festival’s Director of Programming, Rachel Rosen, announced she would be leaving to take a similar job not at Cannes or Sundance or Toronto or New York, but rather at the San Francisco International Film Festival, which everyone in local and national film circles seems to agree is not just L.A.’s loss but Rosen’s decided gain. It was that kind of summer.
Relievedly, LACMA’s film department was not about to go nearly so quietly into that dark night. Faster than a tectonic shift along the San Andreas Fault, word of the museum’s decision rumbled through the L.A. cinephile community and beyond, stirring up an old-fashioned grass-roots protest movement in its wake. By the time I touched down at LAX on the first Sunday in August after two weeks serving on the selection committee for this year’s New York Film Festival, an organization calling itself Save Film at LACMA had already garnered more than 1,300 signatures and impassioned testimonials for an online petition (a number that would eventually double), started an even bigger Facebook group and released a self-produced viral video modeled on the famous “Subterranean Homesick Blues” sequence from the Bob Dylan documentary, Don’t Look Back. In addition, the LACMA brass — chiefly, museum director and CEO Michael Govan — had taken a public drubbing from Los Angeles Times film critic Kenneth Turan, the first in a series of poison-pen letters published by the paper, including a Martin Scorsese op-ed and an outing of Govan’s $1 million annual salary.
Michael Trigilio mentioned on the SD Weekly Reader Sept 2 '09 on a review by various authors
Submitted by yolietorres on Fri, 09/04/2009 - 8:14am. ReviewStories Seen on DVD
Strange Brew, Rachel Getting Married, Merce Cunningham's Split Sides
(http://www.sandiegoreader.com/news/2009/sep/02/dvd/)
By Various Authors for the San Diego Weekly Reader on September 2, 2009
"...Merce Cunningham’s Split Sides presents two performances of a gorgeous dance production featuring the Cunningham Dance Company. I was struck by Cunningham’s exhaustive authorship as choreographer, even so late into his life.
Michel Gondry 2: More Videos is a collection of music videos and short-film ephemera. I love that Gondry has an almost obsessive point-of-view as an experimentalist. Big is small! In is out! Over there is over here! Sometimes he seems solely interested in ornate visual puzzles, which is charming if not a little tedious at times...."
(Includes author Michael Trigilio media artist and UCSD Visual Arts faculty)
JP Gorin: Paris's Cinematheque Francaise Sits Still - A Review by James Duesterberg - Sep 2 '09 for Interview Magazine
Submitted by yolietorres on Thu, 09/03/2009 - 7:47am. ReviewParis's Cinémathèque Française Sits Still
(http://www.interviewmagazine.com/blogs/film/2009-09-02/cinematheque-francaise-cinema-photographie/)
By James Duesterberg for Interview Magazine on September 2, 2009
This week, as Parisians return from their August holidays and businesses reopen around the city, one of Paris' most dynamic cultural institutions will return as well. Henri Langlois started the Cinémathèque Française in 1934 as one of the first film archives. Langlois collected everything: classic Hollywood and European cinema, genre pictures, obscure art film. The frequent screenings he held were a meeting place for French intellectuals in the 50s and 60s; New Wave directors like Truffaut, Godard, Rohmer and Charbrol, known as "les enfants de la Cinémathèque," were hugely influenced by the Cinémathèque's eclectic showings.
Cauleen Smith: Art Institute Lecture Series - The Kansas City Star - Aug 31 '09
Submitted by yolietorres on Mon, 08/31/2009 - 2:20pm. ReviewArt Institute Lecture Series Launches with FBI Suspect
(http://www.kansascity.com/entertainment/columnists/alice_thorson/story/1409680.html)
The Kansas City Star, Aug. 31 -- Hasan Elahi, an artist who once was investigated by the FBI as a terrorism suspect, heads up this fall’s Current Perspectives lecture series at the Kansas City Art Institute, with a 7 p.m. talk Thursday in the school’s Epperson Auditorium. Also part of the lecture series will be talks by leading African-American art scholar Krista A. Thompson and award-winning filmmaker Cauleen Smith, who is on the UCSD faculty.
Sheldon Brown's Scalable City featured on the World Famous Place: The Amazing Photographs
Submitted by yolietorres on Mon, 08/31/2009 - 11:23am. ReviewWorld Famous Place
(http://famous-place.blogspot.com/2009/08/ucsd-visual-arts-project-featured-at.html)
The Amazing Photographs
Friday, August 28, 2009
UCSD Visual Arts Project Featured at World-Famous Digital Media Festival

Scalable City -- an interactive multimedia demonstration of how computers can auto-design aesthetically compelling layouts for new urban or suburban environments, but highlighting serious limitations as well -- is a featured exhibit at the prestigious Ars Electronica Festival in Linz , Austria . Beginning Aug 30, the project will be on display in the Ars Electronica Center, one of the world’s leading museums of digital and media art, for at least a year.
Kim MacConnel and Alumni Iana Quesnell and Brian Dick: A Review by Robert Pincus for the SD Union-Tribune Aug 30 '09
Submitted by yolietorres on Mon, 08/31/2009 - 8:09am. ReviewKim MacConnel and Alumni Iana Quesnell and Brian Dick
Fair aims to put San Diego on binational art-lovers’ map
(http://www3.signonsandiego.com/stories/2009/aug/30/fair-aims-put-la-jolla-binational-art-lovers-map/?features&zIndex=156881
A Review by Robert Pincus for the San Diego Union-Tribune on August 30, 2009
Art fairs became the place where galleries had to be in the last decade. They were the centers of commerce for contemporary art, as much as — maybe even more than — auction houses. A city became a brand name; Basel, Switzerland, long the site of the biggest art fair, spawned Basel Miami. And the Miami event has been such a success that it’s given rise to dozens of satellite fairs in Miami, which take place at the same time in December. The size of the other big fairs, in Chicago and New York, has burgeoned, too.
