Review
Arquitect Kyong Park Exhibits at the Musac his Project 'The New Silk Routes' - A Review on Leonoticias.com - 10.10.09
Submitted by yolietorres on Mon, 10/12/2009 - 10:45am. Review
Kyong Park and Teddy Cruz
Arquitect Kyong Park Exhibits at the Musac his Project 'The New Silk Routes' / El arquitecto Kyong Park expone en el Musac su proyecto ‘Las nuevas rutas de la seda’
The urbanist noted the existing different trend between Asian and African countries, where there is "an authentic explosion" and what is happening in the West
For Leonoticias.com on October 10, 2009
''...The Japanese architect Kyong Park was one of the protagonists in the symposium 'New routes, new urban conditions' which was held at the Museum of Contemporary Art of Castilla and León (MUSAC) and also participated as speakers Teddy Cruz and Santiago Cirugeda. Park outlined some of the key clues of the project "New Silk Road ', in which he has worked for the past two years and some of these initiatives can be seen as a selection at the Leon Museum..."
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Complete story in Spanish on the Leonoticias.com website at:
http://leonoticias.com/frontend/leonoticias/El-Arquitecto-Kyong-Park-Expone-En-El-Musac-Su-Proyecto-%91Las-vn37326-vst240
JP Gorin featured on The Criterion Collection Top Ten
Submitted by yolietorres on Mon, 10/12/2009 - 9:52am. Review
JP Gorin featured on The Criterion Collection Top Ten
Jean-Pierre Gorin’s Top 10
(http://www.criterion.com/explore/35)
Writer and filmmaker Jean-Pierre Gorin collaborated for many years with Jean-Luc Godard, on the Dziga Vertov Group films as well as Tout va bien. He also made three popular films, Poto and Cabengo, Routine Pleasures, and My Crasy Life.
The Criterion Collection
Online Cinematheque
Teddy Cruz to address Friends of San Diego Architecture - San Diego Source - Oct 7 '09
Submitted by yolietorres on Thu, 10/08/2009 - 8:19am. ReviewTeddy Cruz to address Friends of San Diego Architecture
(http://www.sddt.com/news/article.cfm?SourceCode=20091007cya)
For the San Diego Source On October 7, 2009
Teddy Cruz will present on the politics of architectural styles at an upcoming Friends of San Diego Architecture meeting.
A professor of public culture at UCSD and owner of Estudio Teddy Cruz, his presentation is titled, “Radicalizing the Local: Beyond the Politics of Style!”
Cruz’s designs for mixed-use developments have attracted national attention. He has won award for such projects, including Casa Familiar, residential church community in San Ysidro; La Maesta Family Clinic in City Heights, a nonprofit health center serving a variety of immigrant communities; and Housing Corridors, a mixed-use plan for addressing urban sprawl.
In 1991 Cruz won the Rome Prize for Architecture and in 2005 received the James Stirling prize for “Border Postcard: chronicles from the edge,” a project that explored urban strategies spanning the border in the San Diego-Tijuana region.
Cruz’s lecture will take place at 9:30 a.m. Oct. 17. The group meets at the NewSchool of Architecture & Design, located at 1249 F Street in downtown San Diego.
Professor Emeritus Manny Farber: Loving and Loathing-A Review by Benjamin Ivry for The Jewish Daily
Submitted by yolietorres on Thu, 10/08/2009 - 7:36am. Review
Loving and Loathing
Jewish Painter and Critic Manny Farber Rediscovered
(http://www.forward.com/articles/116225/)
By Benjamin Ivry for The Jewish Daily, October 07, 2009
A longtime secret treasure of American film criticism, Manny Farber is finally in the limelight, a year after his death of bone cancer at age 91. Farber is being honored with the publication of “Farber On Film: The Complete Film Writings of Manny Farber,” an 824-page tome from the Library of America, collecting many long-overlooked reviews originally written for The Nation, The New Leader, Artforum and others. One previous such collection, “Negative Space: Manny Farber On The Movies” (Da Capo Press, 1998) is only 424 pages long, but unlike most movie critics, Farber’s writings benefit from being read in bulk. September’s Telluride Film Festival included a panel discussion, “The Celebration of Manny Farber,” as well as special screenings of the critic’s favorite films.
A Review of a re-imagining of Professor Emeritus Allan Kaprow's ''Yard'' for the New York Times by Holland Cotter Oct 1 '09
Submitted by yolietorres on Wed, 10/07/2009 - 1:10pm. Review
Professor Emeritus Allan Kaprow
Art in Review
(http://www.nytimes.com/2009/10/02/arts/design/02galleries.html?ref=design)
By Holland Cotter for THE NEW YORK TIMES, October 1, 2009
In 1961, the artist Allan Kaprow, who coined the term happenings, created an installation in a small open-air courtyard behind the Martha Jackson Gallery at 32 East 69th Street. He wrapped several sculptures already there — a Giacometti and a Barbara Hepworth — in protective tar paper, then filled the space with hundreds of old automobile tires, tossing them around to make piles that visitors were invited to climb.
The tossing was a homage to Jackson Pollock, whom Kaprow considered a Dada performance artist. The climbing was a form of child’s play, which Kaprow basically believed art to be. The tires, grungy and odiferous, embodied the merging of art and everyday life that was Kaprow’s goal.
He called the piece “Yard,” and it was a hit. In the decades between 1961 and his death in 2006, he recreated it often, changing it each time. The distinction he made between a re-creation and reconstitution was a wise one. A meticulously researched and restaged version of his famous 1959 piece “18 Happenings in 6 Parts” two years ago was a dud, lifeless. At a time when so much earlier performance and installation art is being revisited, it was a cautionary example of the hazards risked when the approach to the ephemeral is by the letter rather than by the spirit.
All such hazards are resolved in the latest iteration of “Yard,” at Hauser & Wirth New York, a European gallery that has just moved into the old Martha Jackson space. The artist responsible, William Pope.L, has done something brilliant with it, faithful but new.
Kyong Park and Teddy Cruz mentioned on the Europa Press on Oct 6, 2009
Submitted by yolietorres on Wed, 10/07/2009 - 7:37am. ReviewKyong Park and Teddy Cruz
The Musac de Leon will host on the upcoming 10th day the symposium 'New routes, new urban conditions' from artist Kyong Park /
El Musac de León acogerá el próximo día 10 el simposio 'Nuevas rutas, nuevas condiciones urbanas' del artista Kyong Park
It will highlight the transformation of urban and social dynamics through new theoretical lenses
"... The seminar, directed by Octavio Zaya, with the participation of architects Santiago Cirugeda and Teddy Cruz, and Park himself and its objective aims to create a space for reflection on the transformation of urban and social dynamics in new social contexts, of economic and political globalization..."
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Complete story in Spanish on the Europa Press website at:
http://www.europapress.es/castilla-y-leon/noticia-musac-leon-acogera-proximo-dia-10-simposio-nuevas-rutas-nuevas-condiciones-urbanas-artista-kyong-park-20091006120005.html
Similar story at:
http://www.europapress.es/castilla-y-leon/noticia-musac-inaugurara-hoy-nueva-temporada-expositiva-muestras-autores-ugo-rondinone-kyong-park-20090711080149.html?rel (July 11, 2009)
Emeritus Manny Farber: "Farber on Film" -- Manny being Manny - A Review by Peter Keough for The Boston Phoenix
Submitted by yolietorres on Mon, 10/05/2009 - 3:10pm. Review
Professor Emeritus Manny Farber
"Farber on Film" -- Manny being Manny
(http://thephoenix.com/BLOGS/outsidetheframe/archive/2009/10/02/quot-farber-on-film-quot.aspx
By Peter Keough for The Boston Phoenix, October 2, 2009
I have been reading "Farber on Film: The Complete Film Writings of Manny Farber," edited by Robert Polito (also contributing an illuminating introduction), which just came out yesterday. Farber is best known for his seminal collection of film essays "Negative Space," but I am finding this more rewarding. Partly because the reviews included are as expected funny, tough, exuberant and insightful, rivaling those of Farber's contemporary and friend, the legendary James Agee. But it's also because Polito's book gathers all of Farber's film writing, from 1942 to 1977 from a variety of publications including "The Nation" and "The New Republic," and organizes them chronologically. That way he shows the development of Farber's aesthetics, week by week and film by film, over four decades. And it also allows the reader to see old classic movies again, as if for the first time, and through the eyes of one of our best critics.
Some of his responses to films that have since become canonical are refreshingly contrarian.
Similar story on:
The Movie Blips Daily Radar
http://movieblips.dailyradar.com/story/farber-on-film-the-complete-film-writings-of-manny/
The News & Observer
http://www.newsobserver.com/entertainment/story/134066.html
San Diego Union Tribune Festures ''Social Climbing'' as its Pick - October 3, 2009
Submitted by yolietorres on Mon, 10/05/2009 - 10:05am. Review
Alumni: Seth Augustine, Deanna Erdmann, Gretchen Mercedes, Iana Quesnell and Robert Twomey, and MFA Student Suzanne Wright
San Diego Union Tribune Features ''Social Climbing'' as its Pick
October 3, 2009
'Social Climbing'
Seminal Projects presents the works of over 40 artists, in this two-part exhibition of media works including painting, sculpture, drawing and installation.
(http://entertainment.signonsandiego.com/events/social-climbing/)
Sept. 30-Oct. 24
Luis De Jesus Seminal Projects, 2040 India St., San Diego, CA 92101
PhD Candidate Tatiana Sizonenko: Review by George Varga - ''Electronic instruments take center stage...-SD Union-Tribune 100409
Submitted by yolietorres on Mon, 10/05/2009 - 9:25am. ReviewPhD Candidate Tatiana Sizonenko
Electronic instruments take center stage at museum, shows
(http://www3.signonsandiego.com/stories/2009/oct/04/hed-electronic-instruments-take-center-stage-museu/?uniontrib)
By George Varga, Pop Music Critic for the San Diego Union-Tribune, October 4, 2009
Bonnie Wright and Tatiana Sizonenko have never met or communicated with each other. But they are both fascinated by the evolution of synthesizers, the high-tech electronic instruments that have transformed nearly every style of popular music over the past 40 years by creating an array of sounds, via increasingly sophisticated electrical signals.
Prof. Emeritus "Manny Farber: critic 'who opened other critics' eyes'"-A Review by Robert Pincus for the SD Union-Tribune 10409
Submitted by yolietorres on Mon, 10/05/2009 - 8:40am. Review
Manny Farber: critic 'who opened other critics' eyes'
(http://www3.signonsandiego.com/stories/2009/oct/04/film-critic-8216who-opened-other-critics8217-eyes/?uniontrib)
By Robert L. Pincus, UNION-TRIBUNE STAFF WRITER for The San Diego Union-Tribune,October 4, 2009
When Manny Farber, local painter extraordinaire, died in 2008, he hadn’t done any writing on films for some 31 years. But the tributes for Farber the film critic came forth at a rate that surprised even his wife, Patricia Patterson, a highly accomplished artist and a collaborator on the later film writings.
“He was one of those critics who opened other critics’ eyes,” said film critic John Powers in a tribute on “Fresh Air,” the WHYY show that airs nationally on NPR stations. And the highly regarded film historian David Thomson said, in his obituary for The Guardian in England, “Manny was the first person in English who wrestled with words to arouse the feelings produced by imagery on screen.”
Patterson, who lives in Leucadia, was astonished by the amount of tributes, particularly on blogs.
“I had no idea of how much of a following his writings had, how pervasive his influence was — and is,” she said. “A lot of young writers said what an impact his prose had on them.”
One of Farber’s longtime admirers was Robert Polito, a poet and biographer who now heads the writing program at The New School in New York. Shortly after they met in 1998, Polito told them he’d like to assemble a collection of Farber’s writings that weren’t already in print.
There was one problem: Farber hadn’t held onto them. But Polito wasn’t at all discouraged.
“I spent a lot of time looking at microfiche,” he recalls. And it didn’t hurt that he had the help of graduate students.
Now, his project has come to fruition, though it grew along the way. The end result: “Farber on Film: The Complete Film Writings of Manny Farber.” The publisher is the prestigious nonprofit Library of America, whose primary focus is on handsome editions of American writers from its beginning to the present.
