Events
Adriene Jenik, Ricardo Dominguez and Nina Waisman: 'SPECFLIC 2.6' and 'Particles of Interest'
Submitted by yolietorres on Mon, 08/04/2008 - 1:23pm. Announcement | EventsAdriene Jenik, Ricardo Dominguez and Nina Waisman

"SPECFLIC 2.6" and "Particles of Interest"
Installations by Adriene Jenik and *particle group*
August 6 to October 3, 2008
Closing Reception: October 2 at 6 to 8 PM
University of California, San Diego, Calit2 Gallery, 9500 Gilman Drive, La Jolla, California 92093
The joint exhibition will present "SPECFLIC 2.6" by UC San Diego Visual Arts professor Adriene Jenik, and "Particles of Interest" by *particle group*, an art collective composed of independent and UCSD-based artists and writers. The art installations ask the viewer to consider a not-so-distant future in which individuals will be intimately connected to networks not only through our computers, but via nanoparticles in or on our own bodies.
University Art Gallery Presents: Shaun Gladwell
Submitted by yolietorres on Wed, 07/16/2008 - 10:40am. Announcement | EventsUniversity Art Gallery Presents:
Shaun Gladwell

Exhibition runs July 25 through October 12, 2008
Opening Reception July 24 | 6-9pm
University Art Gallery, UC San Diego, 9500 Gilman Dr., La Jolla, California 92093
Shaun Gladwell is one of Australia's most prominent younger artists. The exhibition will feature a number of major works never before shown in the US, including works from his latest ongoing series Maddest Maximus.
The University Art Gallery ( http://uag.ucsd.edu/ ) is open Tuesday - Sunday, 11am - 5pm.
For further information please ring 858 534 2107 or email uag@ucsd.edu.
Olivier Debroise Lecture - Fragment 4: Looking at the Sky in Buenos Aires
Submitted by yolietorres on Mon, 03/24/2008 - 12:49pm. Events | Lecture
Olivier Debroise Lecture
Fragment 4: Looking at the Sky in Buenos Aires
Thursday, April 3, 2008 | 7 to 9 p.m.
Visual Arts Performance Space | UC San Diego, 9500 Gilman Dr., La Jolla, California 92093
In July 1966, the Argentinean philosopher Oscar Masotta organized his first anti-happening, The Helicopter, in conjunction with artists from the Arte en los Medios (Art in Media) group in Buenos Aires. A helicopter flew over the location five minutes before the announced time, so only those who had arrived early could narrate the story. Olivier Debroise will discuss the anti-artistic gestures used by these pioneers of institutional critiques and other anti-art strategies in the early 1960s.
UC San Diego Visual Arts Department Presents The 2008 Open Studios
Submitted by yolietorres on Mon, 03/17/2008 - 2:05pm. Events | MFA Exhibition
The UCSD Visual Arts Department Announces
MFA Open Studios 08
The Graduate Visual Arts Department at the University of California San Diego invites the community to view the work of its current MFA students at Open Studios on Friday, April 4, 2008, from 2-8 pm.
From dirtbike culture, discarded fire alarms and nanotechnology to stand up comedy, dream stimulation, and water balloons, the visual artists of UCSD’s highly noted MFA program employ a wide range of subject matter in their multi-disciplinary practices. The resulting works are a rich array of technological investigation, social speculation, psychic space and real-world intervention.
Many of UCSD’s MFA candidates have worked and exhibited widely throughout the globe. Within the Southern California art community, the students have recently collaborated with The Museum of Contemporary Art San Diego, Fritz Haeg's Sundown Salon, LA’s LACE and Sixteen:One galleries and CECUT, Tijuana.
Join us for an afternoon of art, film, performance and music at the Visual Arts Facility, located off of Gilman Drive on the UCSD campus, La Jolla, California.
For directions and more information, please go to:
http://ucsdopenstudios.com/2008/information.php
Contact: Glenna Jennings
626-676-0627
gjennings@ucsd.edu
University Art Gallery Talks
Submitted by yolietorres on Wed, 03/12/2008 - 8:27am. EventsUniversity Art Gallery
( http://universityartgallery.ucsd.edu/ )
UAG Talks/Events
May 15, 2008 - 7pm, Art Gallery, Mandeville Center
Performance Dance - Revolutions 2
Students from the Department of Dance and Theatre under the direction of Yolanda Snaith will present dance pieces created in response to the works in the show.
May 14, 2008 - 7pm, Art Gallery, Mandeville Center
University Art Gallery Presents: Revolutions - Selected Works from the Collection of Isabelle and Jean-Conrad Lemaître
Submitted by yolietorres on Wed, 03/12/2008 - 8:05am. EventsREVOLUTIONS
Selected works from the collection of Isabelle and Jean-Conrad Lemaître

Jennifer Allora & Guillermo Calzadilla, Fikret Atay, Yto Barrada, Yeal Bartana, Johanna Billing, Ulla von Brandenburg, Dominique Gonzalez Foerster, Emily Jacir, Hassan Khan, Sigalit Landau, Nikolaj Bendix Skyum Larsen, Steve McQueen, João Onofro, de Rijke/de Rooij, Bojan Šarčević, Zined Sedira, Mariana Vassileva, and Mark Wallinger
Opening Reception on March 27 at 6:30pm
Exhibition runs 28 March - 17 May, 2008
(The gallery will be open March 28, 11am-5pm)
No admission fee.
University Art Gallery, Mandeville Center | 9500 Gilman Dr., La Jolla, CA 92093
The University Art Gallery at University of California San Diego, is delighted to present a selection of 18 video works from the collection of Isabelle and Jean-Conrad Lemaître. For the last seven years these London based French collectors have been collecting almost exclusively video work. The collection includes artists from all over the world and at the latest count numbers 80 works. This selection includes work by artists originating from Cuba, Denmark, Egypt, France, Germany, Israel, The Netherlands, Palestine, Portugal, Serbia, Sweden, Turkey, United Kingdom, and United States.
Focusing primarily on younger artists the collection demonstrates many approaches to making film and video from the use of a simple gesture or intervention, the documentation of people and events, to the staged and performative. This in turn reflects many of the themes and concerns of today, the way social and political change is manifested and reflected in everyday life, a fascination with the negotiation of boundaries both physical and metaphoric, and a reflection of the kaleidoscopic nature of human beings, their emotions, and their lives. Collectively, they announce the arrival of a new generation of internationally recognized video artists who choose to occupy the gallery space yet talk of the world outside it.
Joan Lebold Cohen: Contemporary Chinese Art: Context and Interpretation - Breakfast Talk
Submitted by yolietorres on Wed, 03/05/2008 - 3:02pm. EventsContemporary Chinese Art: Context and Interpretation
Breakfast Talk

Joan Lebold Cohen
March 13, 2008
8:00 - 9:30 am
Location: UCSD Faculty Club
Open to: Faculty, Students, and Invited Guest
For information and to RSVP please contact Carlet Altamirano-Sanz at caaltamirano@ucsd.edu or 858.822.3103 by March 9.
Joan Lebold Cohen is an art historian and photographer who specializes in Chinese Art and Film. A sometime resident in China, Hong Kong and Japan, she has been a regular visitor to Asia since 1961. Her travels to China commenced in China soon after Nixon's visit and she lived there during the dramatic, post Cultural Revolution period of 1979-81. Her book The New Chinese Painting, 1949-1986, introduced the recent generations of Chinese artists to the West. She has served as curator for four exhibitions of new Chinese art as well as a photographic exhibition entitled 'New York, the City and Its People' shown in Beijing. Her other books are Yunnan School, A Renaissance in Chinese Painting; Angkor, Monuments of the God-Kings; and Buddha.
Ms. Cohen is co-author with her husband, Jerome Alan Cohen, of China Today and Her Ancient Treasures (3rd ed. 1986). She is both author and photographer in three of the aforementioned books, and her work has been also published in many other magazines and journals. Her photographs have been widely exhibited and published and are represented in public and private collections in the U. S. and Asia. Ms. Cohen was a lecturer at Tufts University/School of the Museum of Fine Arts in Boston for 22 years and she is currently a research fellow at Harvard University's Fairbank Center for East Asian Studies. She is also an associate of the Columbia University Modern China Seminar.
First Annual UCSD Art History Graduate Student Conference
Submitted by yolietorres on Wed, 03/05/2008 - 11:03am. Events | PHD_ProjectFirst Annual UCSD Art History Graduate Student Conference
"What is Public Culture?"
Saturday, April 5, 2008 | 9:30 am to 6 pm
Event is Free and Open to the Public
Pepper Canyon Hall Room 109, UC San Diego, 9500 Gilman, La Jolla, California 92093
The Art History graduate students of the Visual Arts Department of the University of California San Diego are pleased to present their first graduate student conference, entitled "What is Public Culture?" Papers by graduate students from a wide range of universities and scholarly fields will be presented interrogating the nature and occurrence of public culture. A welcome presentation will begin at 10 am, with the morning panel shortly to follow. The afternoon panels will begin at 1 pm and 3 pm. UCSD Visual Arts faculty Norman Bryson, Grant Kester and Kyong Park will serve as respondents. At 5 pm, Susan Buck-Morss, Professor of Political Philosophy and Social Theory in the Department of Government at Cornell University, will present the keynote address. Refreshments will be served during the conference, and a reception will follow Dr. Buck-Morss' presentation.
Please contact Laura Hoeger at visarts-conference@ucsd.edu or visit http://visartsconference.blogspot.com/ for further information.
Artist Talk at the University Art Gallery - featuring: Liz Kotz, Kim MacConnel and Stephen Hepworth
Submitted by yolietorres on Wed, 01/30/2008 - 8:04am. EventsArtist’s Talk
Seeing Language
March 6, 2008, 6pm
East Room, Mandeville Center, UC San Diego, 9500 Gilman Dr., La Jolla, California 92093
This talk examines how language as a visual medium has been and continues to be interpreted within the gallery space as reflected in the current exhibition at the University Art Gallery. The panel is comprised of Liz Kotz, Kim MacConnel and Stephen Hepworth. Kotz teaches at UC Riverside in the Art History department. Her recently published book entitled Words to Be Looked At: Language in 1960s Art traces the practice of language in art to its beginnings by examining works of visual art, poetry, and experimental music created in and around New York City from 1958 to 1968. MacConnel has taught in the Visual Arts Department at UCSD in various capacities between 1976 and 1980, and permanently since 1987. He has been represented by the Holly Solomon Gallery in New York since 1975, and is one of the founders of the so-called Pattern and Decoration movement. P & D movement was a reaction to both minimalism and abstract expressionism. It allowed artists to delight in surface embellishment and bright color, and the post-Pop adherents did not shy away from the influence of design, furniture, as well as decorative arts. Hepworth is the curator of the “In the Beginning”. Before relocating from London, Hepworth was the associate curator at Bloomberg Space.
Artist Talk at the University Art Gallery - featuring: Monique Prieto
Submitted by yolietorres on Tue, 01/29/2008 - 1:12pm. Events
Artist’s Talk
Monique Prieto
February 27, 2008, 6pm
Mandeville Center, Recital Hall, UC San Diego, 9500 Gilman Dr., La Jolla, California 92093
Monique Prieto is one of the artists featured in “In the Beginning,” the current exhibition at the University Art Gallery. She was born and raised in Los Angeles and received her MFA from the California Institute of the Arts, Valencia. In 2003, Prieto began using text taken from the nine-volume diary of a 17th Century Englishman, Samuel Pepys. Pepys is best known for his detailed firsthand accounts of major historical events such as the great London plague as well as his private and mundane accounts of his everyday life. Prieto presents the text in awkward block letters that were inspired by graffiti she saw on the side of the freeway. Like graffiti, the words are hard to read and can be experienced both as abstract form and readable text. In response to how difficult the work is to read Prieto says that she does not feel right ‘making readily accessible pictures.’ Prieto will give an illustrated talk about her paintings and its development from abstract form to the deployment and use of language in her current work.
